Make sure the silo layer is selected before continuing. Hide the original layer by clicking on its eye icon. Rename the new layer by double–clicking on the original copy layer name and change it to silo. We’re going to work on a copy of the original, so with the original layer selected, hit Cmd–J (Mac) or Ctrl–J (Windows) to duplicate the layer. Double–click the name and rename it original. It’s currently named Background which is no longer appropriate. In the Layers panel the top layer should be the woman’s photo. You should now be back in Hair3_backgrounds.tif. There’s only one layer (the Background layer) in this file, so choose Layer > Duplicate Layer.įrom the Document menu choose Hair3_backgrounds.tif.Ĭlose this file ( blonde_curly_iStock_000005164255_ProjectB.jpg).
We do this because when we import the photo of our person it will be placed on top of the currently selected layer. Make sure the top layer ( Beach) is selected. We’ll be trying out our person on these backgrounds. In the Layers panel ( Window > Layers) notice there are a few layers. Navigate into Desktop > Class Files > Hair the Seminar.Putting Our Image onto the New Backgrounds These are the files you will use while going through the workbook. Drag the downloaded folder into the Class Files folder you just made.You should end up with a Hair the Seminar folder. zip file has finished downloading, be sure to unzip the file if it hasn’t been done for you. If you haven’t already, click Start Download.Create a new folder called Class Files (this is where you’ll put the files after they have been downloaded).These instructions tell you how to install the class files you’ll need to go through the exercise. This technique will require a more artistic interpretation than the ones we have previously tried. This time we’ll use hair brushes to paint a custom, natural-looking hair mask. We’re going to need a more hands-on approach because isolating the hair is virtually impossible. We won’t be able to use channels to make this selection, and Refine Edge will likely fail because the edges are so hard to define.
What makes this so difficult is the lack of contrast (in both color and brightness) between the hair and the background. In this exercise, you’ll tackle our most difficult hair-silhouetting challenge yet: a blonde with very frizzy hair standing in front of a wall that’s very close to the same color.
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